Pulvers Family - BROCADE

Pulvers Family - Three Sisters


      Rochfort Gallery

      ALICE PULVERS, SOPHIE PULVERS, LUCY PULVERS
      Brocade


      To be opened by: Professor Jing Han

      EXHIBITION
      13 MAY - 19 JUN

      VIP PREVIEW
      13 - 15 May 2026
      9:30 am - 5:30 pm

      GRAND OPENING
      Saturday 16 May 2026
      1 - 3 pm

      Ground Floor, 317 Pacific Hwy, North Sydney NSW 2060




      Brocade is the name of a fabric, woven from richly coloured threads and often include threads of gold and silver. Brocade is a luxurious fabric, often made from silk and having a raised texture…beautiful for the eyes to see and to the touch. This exhibition brings together the work of three artist sisters, Alice, Sophie and Lucy Pulvers, whose works differ dramatically in style and subject, but like brocade fabrics, all created with the use of rich colour and complex structure. 



      Foreword: Weaving a Brocade for Oneself


      Brocade is a fabric woven from multi-coloured silk threads, often interlaced with gold and silver, forming raised patterns that are both opulent and exquisite. Whether seen or touched, it offers a singular sensory delight.

      Yet what I wish to express through brocade goes far beyond its material beauty.

      Brocade carries a deeper symbolic meaning—it reflects the weaving of life itself. The interlacing threads embody the joys and sorrows, unions and separations bestowed upon us by fate. The shimmering strands of gold and silver trace the light and darkness we have passed through, the laughter and tears we have experienced. The raised textures are the imprints time has etched upon our souls—and it is precisely these that give each brocade its distinctive texture and irreplaceable radiance.

      The world tends to measure everything through reason and order. Yet in moments of exhaustion, we often long to retreat to a place without boundaries. We weave a brocade for ourselves—not for display, nor to please others, but so that when storms come, we can still hold our heads high and move forward, unshackled by the past. Its splendour exists simply because it is something we have woven with our own hands.

      This is the message of the exhibition Brocade | 锦缎: no matter how harsh, bustling, or constrained by rules the external world may be, deep within us lies a private sanctuary—one that flourishes in quiet abundance.

      True abundance does not come from the world outside. It springs from innocence, from an unwavering faith in beauty, and from a quiet conviction held deep in our hearts. Having witnessed countless passing sails, we continue to love life as deeply as ever.

      For this exhibition, it is my great honour to present three sisters from Australia—Alice Pulvers, Sophie Pulvers, and Lucy Pulvers. Though their artistic styles differ, each, like brocade, weaves her own vision of life through vibrant colour and intricate structures. In their works, we see the independence and courage of women artists, and three unique blossoms emerging from the same lineage.

      I hope this exhibition can transcend borders and cultural differences to touch the heart of every viewer, awakening the awareness that, at any stage of life, we must remain self-reliant, resilient, and confident—bravely facing life’s storms.
      Lift your head and look forward. Let the past stay in the past.

      Here, there are no storms, only an eternal spring.

      Here, you need not become anyone else but only be yourself.

      This exhibition is growing, inch by inch, in my hands. It is worth the wait.

      You are warmly invited to visit and appreciate this magnificent brocade of life.



      Maggie Wu, Director, Rochfort Gallery
      (Translated by Professor Jing Han)







      In Conversation: Dr Luise Guest with Professor Jing Han

      Invisible Ink: Feminism and Identity in Contemporary Chinese Art
      Date & Time: Saturday, 6 June 2026, 2:00–3:00pm
      Venue: Rochfort Gallery
      RSVP: Essential Please click here

      Rochfort Gallery is delighted to host this event in partnership with the Institute for Australian and Asian Arts and Culture at Western Sydney University. Presented alongside our current exhibition Brocade, which showcases contemporary works by the Sydney-based Pulvers sisters, this conversation will explore Dr Guest’s new book on feminism and identity as expressed through the practices of five prominent contemporary Chinese women artists, offering an engaging and insightful discussion.

      About the book

      What does it mean to be a woman artist—or a feminist artist—in China today? Through an analysis of how Chinese women artists have reinvented traditional ink and brush painting, Invisible Ink reveals how this medium becomes a tool for gendered and art historical subversion in contemporary Chinese art.
      In this book, Dr Guest examines the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu, and Xie Rong, showing how they draw on contemporary iterations of ink and brush painting to explore embodied and gendered experiences of Chinese identity. These include motherhood and daughterhood, the impact of state control over fertility under the One Child Policy, and the experience of menopause in a culture that prizes youth and beauty. The artists are presented as intervening not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses where their contributions have often been marginalised. The book also considers the artists’ ambivalent relationships with Western feminism, positioning their work as counter-hegemonic expressions grounded in specifically Chinese experiences of patriarchy.
      By addressing an understudied dimension of contemporary Chinese art, Invisible Ink sheds light on the material culture of ink and brush painting through a transcultural, intersectional feminist lens. In doing so, it reveals how this enduring form connects Chinese history with the present day.

      About the Speaker 

      Dr Luise Guest is an independent writer, researcher, and curator, and currently a sessional academic in the Faculty of Arts, Design and Architecture at the University of New South Wales. Her research on contemporary Chinese art has been widely published in journals including The Journal of Contemporary Chinese Art, The Australian and New Zealand Journal of Art, Yishu Journal, TAASA Review, and Artist Profile. Her first book, Half the Sky: Conversations with Women Artists in China, was published by Piper Press in 2016. Her second book, Invisible Ink: Feminism and Chinese Identity in Contemporary Art, was published by Bloomsbury in 2026.

      If you like to obtain a copy of this book,
      please visit: https://www.bloomsbury.com/au/invisible-ink-9781350433953/

      Associated Events

      Special Event: Financial Investment Seminar
      Budget Fever & Confusion
      An Insightful Seminar on Financial Investment and Navigation

      Date & Time: Saturday, 23 May 2026, 2:00–3:30pm
      Venue: Rochfort Gallery
      RSVP: Essential via email ([email protected])

      Special Event: Morning Muse - Women’s Breakfast Series
      Women’s Perspectives on Growth and Direction
      An Intimate Breakfast Shared Journey and Reflection

      Date & Time: Monday, 25 May 2026, 11am
      Venue: Rochfort Gallery
      RSVP: Essential via email ([email protected])


      Appearing In This Exhibition
      Alice Pulvers
      Alice Pulvers

      Alice was born in Tokyo, Japan and grew up in both Tokyo and Kyoto with her two younger sisters, also artists, and her older brother. She was educated in Japanese schools until she moved to Sydney in 2000 and is bilingual in Japanese and English. Alice began drawing and painting from an early age. When she was 15, she travelled to Paris, and the art she saw there made a lasting impression on her. This experience and her other travels have influenced her development as an artist. Alice has studied life drawing and has taken courses at the Julian Ashton Art School and at the College of Fine Art in Sydney.

      Alice exhibits her paintings regularly and has been a finalist in numerous art prizes, including the Portia Geach Art Prize, the Mosman Art Prize, the Kilgour Prize, the Ravenswood Art Prize and the National Capital Art Prize. She has been a semi-finalist six times in the Doug Moran National Portrait Prize and in the prestigious BP Portraiture Prize in London.

      Alice has also travelled in Germany, the UK, China and Singapore. The art she has seen on her travels has enriched her imagination, and her paintings are filled with images of air, water, animal and plant life. She recreates the strange relationships between the way we as humans experience our world and the forces of the universe acting upon our sense of reality. In Alice’s work, elements of naturalism, such as birds, fish, cattle and cats, appear in schematic landscapes. These are reminiscent of the way Japanese art flattens and arranges landscapes. Water birds appear frequently in her paintings. She has a fascination with these special birds, which can swim under the water, float on the water, walk on the land and fly in the air. In this way they transcend the forces of nature that confine many other living things, including ourselves

      Lucy Pulvers
      Lucy Pulvers

      Lucy was born in Kyoto, Japan and grew up in both Tokyo and Kyoto with her two older sisters, also artists, and her older brother. She was educated in Japanese schools until she moved to Sydney in 2001 and is bilingual in Japanese and English. In 2014 she was awarded the Thea Proctor Scholarship by the Julian Ashton Art School. She paints in both oils and watercolour. Lucy recently spent a year in the UK and travelled in Europe, spending time particularly in Germany. This was an intense period of looking at art, as well as painting and drawing while living in London. Every year since 2019, her watercolour paintings have been selected for inclusion in the annual Royal Institute of Painters in Water Colours exhibit in London. In the 2020 watercolour exhibition, a self-portrait was awarded the ‘President’s Choice Award’. In 2024, Lucy received the ‘Anthony J Lester Art Critic Award’. In April 2025, was elected to be a member of the Royal Institute of Painters in Water Colours, founded in 1831.

      Lucy exhibits regularly and has been a finalist twice in the Portia Geach Portraiture Prize, a finalist in the Mosman Art Prize, a semi-finalist in the BP Portraiture Prize in London and, more recently, a finalist in the Blake Prize and twice a semi-finalist in the Herbert Smith Freehills Kramer Portrait Award in London.

      Lucy is essentially a figure painter and portrait artist. All of her artistic work is rooted in her relationship to line and drawing as the foundation of her paintings, both in watercolour and oils. Her paintings are all, in essence, an exploration of the inner emotional life of human beings. She uses geometry, strong colour and bold lines to give her works an emotional power. These elements of colour and line are woven together to synthesise a surface world that captures a moment in the inner life of the figure portrayed

      Sophie Pulvers
      Sophie Pulvers

      Sophie was born in Tokyo, Japan and grew up in both Tokyo and Kyoto with her two sisters, also artists, and her older brother. She was educated in Japanese schools until she moved to Sydney in 2001 and is bilingual in Japanese and English. She continues to be a frequent visitor to Japan and recently visited Tokyo to open a three sisters exhibition at the Kobo Chika Gallery. Sophie has always been fascinated by the natural world and this is reflected in her work, in which she most often paints animal subjects. Her work reflects the experiences of her childhood growing up surrounded by both traditional and contemporary Japanese art. Much of Japanese cultural and artistic inspiration is drawn from the natural world and natural materials. Sophie has travelled overseas as well as in many parts of Australia. She studied environmental science at the University of NSW. Some of the extraordinary places where she was fortunate enough to visit and experience wild nature include tropical far-north Queensland, the Corner Country of far-western New South Wales and Ningaloo Reef in Western Australia.
      Sophie exhibits regularly and has been a semi-finalist in the Doug Moran National Portrait Prize and a finalist in the Mosman Art Prize, Hunters Hill Art Prize and the Waverly 9x5 Landscape Prize.

      As well as painting animal subjects from life, Sophie has reinterpreted the animal subject etchings and paintings of the 15th/16th-century German artist Albrecht Dürer. She has also created a series of large works inspired by renowned Japanese artists such as Ito Jakuchu, Maruyama Okyo and artists of the Kano School.

      In 2025, Sophie was commissioned by a Sydney school to create a large mural of a corroboree frog in its alpine environment.

      Date & Time
      Saturday

      16 May 2026

      Start - 1:00 pm Friday

      19 June 2026

      End - 5:30 pm Australia/Sydney
      Location

      Rochfort Gallery

      317 Pacific Highway,
      North Sydney NSW 2060
      Australia
      0422 039 834
      Get the direction
      Organiser

      Rochfort Gallery

      0422 039 834
      SHARE

      Find out what people see and say about this event, and join the conversation.